![]() ![]() How I can setup AX8 in order to get proper sound without hizz squick noise. Is anybody here using Focusrite Scarlet 2i2 and Logic with good result? If I brake the cuircuit this hizz is gone and I can hear processed guitar. So if DI send signal and reamped signal are connected to interface (circuit is closed) there is hizz squick noise. Ive noticed if I sending the DI signal from output 1 straight in to FX return of AX8 with connected speakers to Output 1 (L+R) of AX8 I can hear processed DI nice sound without hizz and noise but straight after connecting AX8 in to Scarlett interface I can hear the noise. Im totally lost trying different options, looking in internet, spending hours of research and connecting every possible way. I tried all the same settings, different cables, ordered passive ReampBox (between output 1 of Scarlett to AX8 IN2 (FX Return) and is the same constant hizz noise. Ive got te same settings as in first Zygl's post and Ive got only constant hiss coming out. Ive got track in Logic Pro recorder a while ago (DI) and tried to reamp. Passive acoustic and electric guitars deliver high-Z signals. The basic concept of a DI is rather simple it’s a box designed to convert a high-Z (high impedance) signal to a low-Z (low impedance) signal. Pretty much uneducated on the subject, I thus rely on you guys, if anyone has a helpful advice to give. The term direct box, or DI, is short for direct injection box. I can't seem to get rid of this hiss though, I've spent hours on that. I've tried : switching cables, reducing levels on the AX8, reducing of the DI track inside the DAW, using IN 1 instead of IN 2 on the AX8, using the headphones OUT on my soundcard instead of Output 1, etc. Now, the problem is a constant hiss coming out of the remaining speaker. ![]() I connect the AX8 back to the Input of my soundcard using an XLR cable I use a 1/4" cable from the soundcard to the IN 2 (FX RTN) I route the DI track on my DAW (logic) to output 1 I got a perfectly recorded DI that to work with. My soundcard is a Focusrite Scarlett 2i2, which comes with only 2 lines out, meaning I have to disconnect a speaker while reamping. In other words, if you want to go directly from the instrument to the mixing console or audio interface, you will need a DI box.I have a problem regarding reamping with the AX8 and can't wrap my head around how to do it, albeit having read most posts on the subject across the forum. This is where the DI box came into play, which is still needed in most cases today. However, since the electrical signal from a music instrument is not necessarily compatible with the output signal from a microphone, a special signal converter box was needed. electric guitar) into the mixing console. This was done by directly feeding the electrical signal generated by the electronic instrument (i.e. Then someone came up with the idea of skipping the conversion of the electric to acoustic signal through a loudspeaker/microphone. ![]() As the first electronic instruments emerged, a microphone was simply placed in front of the sound source, i.e. But since the AxeFX 3 can handle line-level inputs no problem, I dont think one is even necessary. In the "electronic stone age", only acoustic instruments were recorded with a microphone. The way I understand it is you need the Reamp box to take the lower impedance line-out signal from your interface and convert it to a high-impedance signal that the front of your amp expects. The simplest way to give you a clear picture of when you would need one is to look at how they developed. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |